Our recent Josephine Baker inspired shoot with Miss Noire is exclusive to the Best of 2010 Print Edition. To get your copy, visit our shop!

December cover girl Perle Noire, the Rare Gem of Burlesque, sits down to talk the “burlesque look,” New Orleans, Josephine Baker, Australia, gold glitter and Prince.

By: Divertida Devotchka  Photos: Shoshana of DallasPinUp.com

You’ve stated before that you don’t think that you have a “burlesque look.” As an avid fan, let me say that in my opinion, your sultry sass is the embodiment of burlesque, but in your opinion what characteristics must one possess to have the burlesque look? Based on your ideal of the burlesque look, who comes to mind (either legend or modern performer) as the epitome of burlesque?

Well, when people think of burlesque stars of yesterday and today they think of a woman with European features such as Tempest Storm, Lili St. Cyr. or Bettie Page. These women are the definition of a beautiful Bombshell! Tempest Storm, with her fiery red hair and that perfect voluptuous figure had the ultimate burlesque look. You can’t mention the word Bombshell without paying respect to the infamous Lili St Cyr, who had beautiful long legs and luscious lips. They were flawless. When you asked your average Joe or Joan about burlesque these names and images pop up.

Of course, when I think of a Burlesque Goddess, I think of my idol Josephine Baker. Josephine had a theater background and had perfect comedic timing. She was so beautiful and electric, but she became a Legend overseas. Even though she knew how to connect with her audience and had an exotic look she would have never became a burlesque legend in the states due to the fact that she didn’t have the standard ” burlesque look”.

Over the years as a Burlesque artist, I’ve sent my promotional kit to magazines( burlesque and aboard) and producers and thou they love my performances, I’ve been turned down for numerous jobs and promotional marketing because I don’t have the ” burlesque  look”. This is something that I’m working on and I’m enjoying every moment of it. Make up and Wigs and Heels.. Oh My!

Tell us all about your recent exploits in Toronto and at the New York Burlesque Festival.

Toronto was amazing! Starlight Burlesque put on a wonderful show and the band made me get a standing ovation. The NYBF is one of the oldest Burlesque Festivals and it was so organized. Angie and Jen put on a wonderful production.

I got a giggle when you recently posted on Facebook that you were “looking to be in ‘like’ with someone.” You also said, “I need someone who can handle my ambitions and many different personalities. I need a mixture of George Jefferson, James from Good Times, Rick James and Prince.” I’d love to know which specific qualities from these men that you’d like to see in a companion.

George Jefferson was an entrepreneur and very outspoken while James Evans from Good Times was a Man’s Man. He was faithful to his wife and children. Even though his back was often against the wall, he keep pushing and striving for a better life for his family. He never gave up. Rick James was so eccentric and confident. We would probably fight over gold glitter but I know he would go to war for me if anyone disrespected me. Finally, we have Prince. Prince and Rick James are the epitome of a true artist and performer. I love the stage presence that Prince has and I would love to borrow his clothes.

In our September 2009 interview, you stated that you really hoped “to become a burlesque queen one day.” That very same month you were crowned queen at the New Orleans Burlesque Festival, and last month you handed over the crown to Texas’ own titan of tease, Miss Coco Lectric. What have you learned since being crowned queen? Do you have any advice for new queen Coco?

I’ve learned that a title doesn’t make you a queen in the community. The title will come from the mouths of the fans. Before I competed for the Queen of Burlesque title I was honored with recognition from my fans and burlesque royalty. 21st Century Pin Ups posted an on line poll for the top 50 burlesque performers worldwide and I made the top 20! I didn’t campaign for votes, the fans voted for me and I’m truly grateful. During my burlesque career I’ve performed with Immodesty Blaize, Dita Von Teese, Dirty Martini, Kitten Deville, Michelle L’Amour and many others. How many people can say that they had a chance to work with people that they admire and respect as artists?

When I made that statement, I thought that with a title I would gain respect from my peers or producers who feel that I don’t belong to the world of burlesque. Truthfully, as an artist you have to keep pushing and striving if you want to be the best. I won a title, but I still have to keep pushing until I break through the barrier. My work is far from over. My advice to Coco Lectric is to stay true to your fans, the stage and yourself.

It’s well known that Josephine Baker is one of your biggest influences. You did extensive research on her to plan your tribute routine. Tell us more about how her life and career inspired you.

Josephine danced through so many doors as an artist. She was the first black woman to appear in a silent film and the only woman to speak at The March on Washington. What I love about her was her drive and passion to grow as an artist and individual. She started out in Vaudeville performing in blackface and ended up a glamorous singer who lived in a castle. Every morning I look a photo of her from an early theater production, in which she is wearing blackface. Then, I look at a picture of her singing with her rhinestone microphone, wearing a larger than life head dress onstage in Paris. This ritual reminds me that the only limitations I have are the limitations that I set for myself.

You’re going to Australia! Tell us all about it! Do you have any other plans for international travel in the near future?

The name of the show is Burlesque Royale. Danica Lee will present the show Saturday, January 22, 2011, at The State Theatre in Sydney. I’m working on performing in Paris and in London again in the near future.   I would love to perform in all the venues that Josephine performed in including the Follies Bergère. She was the first and last exotic burlesque beauty to grace the stage. It is a lifelong dream of mine to perform my tribute to her at the Follies Bergère and at Theatre des Champs-Elysées.

You just moved back to New Orleans. What brought you back and what are you doing next?

New Orleans played an important role in my burlesque career so I wanted to go back to my burlesque roots.  I have a few top secret plans that I can’t reveal at the moment but keep your eyes open!

We last spoke with Austin-based Coco Lectric back in November.  Since that interview, she has gone on to win the Title of Texas Performer of the Year, “Texas Burlesque Ambassador”, and will be performing later this month with none other than Dita Von Teese.  We certainly have a lot of catching up to do, and were honored when Coco took time out of her insanely busy schedule for an interview with us.

Interview & Photographs: Shoshana, of DallasPinUp.com

Q: Since we last interviewed you in November, so much has happened!  First, let’s talk Hot Rods and Heels.  You won the Texas Performer of the Year title, and The Jigglewatts won for Texas Troupe of the Year.  Tell us a bit about the evolution of your work over the last nine months.
The last nine months has been a pretty wild ride. I’ve done more producing than I ever have. We opened the year with a Tribute to Bettie Page which featured The Jigglewatts and Dallas performers, Ginger Valentine and Elisa and other amazing Austin girls. Miss Ruby Joule and I have done a lot more traveling as well; we performed in Albuquerque at the Southwest Burlesque Showcase and in Bustout Burlesque in New Orleans. I performed in Chicago with Michelle L’Amour and her Chicago Startlets in Chicago for “Stripper’s Holiday” in April.

Dallas made reaching my goal of getting my name out there because I got the opportunity to perform in shows with Catherine D’Lish, Perle Noire, Angie Pontani, and my personal favorite, Dirty Martini. I’ve also made festivals a priority this year because, not only would a title or two be wonderful, I get to learn from and become closer friends with some of my favorite burlesque performers and legends. Networking is so important in burlesque world, I mean, sharing one’s performances is kind of the point, right? Performing with other folks from all over the world that make burlesque a priority widens the net of potential audience members and fans.

Q: Right after Hot Rods and Heels, you were off to Vegas to be the only Texas performer given a performance slot at the Miss Exotic World Showcase, part of Burlesque Hall of Fame Weekend in Las Vegas, becoming our “Texas Burlesque Ambassador”.  Tell us about that experience.

Being the opening act for the opening show was an honor. So many attendees told me how much they enjoyed my number and I attribute a lot of that to being the first one on stage. The audience was absolutely incredible and attentive and spent their hard earned time and money to get to the venue, so they were ready for a good show. I was SO ready to give it to them, I’d been saving up my adrenaline for that night and can honestly say that when I walked off the stage, I was content. I even got to give Perle Noire the eyes during a glove peel. She responded ecstatically! Being the “Texas Burlesque Ambassador” this year was an honor but it also brought about a new set of responsibilities. So many amazing performers here submitted applications and I was shocked that I was the only one to get in. I was nervous that if my performance wasn’t so great, they really wouldn’t take Texas seriously. I’m hoping I made a big enough splash this year that they consider more Texas performers next year.

Q: The Jigglewatts are headlining at the Lakewood Theater on July 2, and then you are off to New Orleans to perform with none other than Dita von Teese at Tales of the Cocktail. Can you tell us which number/s you are doing?  Are you more nervous or excited?

I’m performing my Big Red Boa number in Dita’s show. I’m very excited about performing with her and I’m doing the long version of the song, which is what I’m most comfortable with. I’m mostly nervous that I won’t have enough rhinestones on my outfit!  But seriously, I am a little nervous about performing for an entirely new audience. Most folks come to burlesque shows because they love burlesque. Dita von Teese’s audience comes to the show because they love Dita, I hope they have enough room in their burlesque hearts for a full-bodied Texan with a tan.

Q: Your four month whirlwind lands you back in New Orleans in mid September to compete for the title of Queen of Burlesque at the New Orleans Burlesque Festival.  Last year’s competition featured an amazing line-up including burlesque super stars like  Perle Noire, Catherine D’ Lish, and Lola Van Ella.  What was your reaction when you were asked to compete?  What is your view on competition in burlesque?

I was absolutely beside myself thrilled when I found out that I’d be competing in the Queen of Burlesque competition this year. I really want to bring something fresh, new, and a little naughty to the show this year. There is just something about performing with a live band that gets my toes curling. I actually kind of enjoy competition in burlesque, it makes me want to improve my craft and do my homework.

I’ve always been a little bit aggressive when it comes to my talents, though. If I weren’t competing with other bombshells, I’d be competing with myself. It really is difficult for a panel of judges to make a decision of who has the best act though, burlesque is like comparing different fruits. No one is selling the same exact gimmick and everyone likes something different. To be honest, I don’t really know how to compete well with other performers, there’s never a level playing field and most of us are playing different games any way.

Q: In the midst of all this, you also managed to complete your master’s degree, be a single mom, and hold down a personal relationship.  How do you manage to do it all?
Wow. That really makes it sound like I’m busy, doesn’t it? The short answer is: I don’t know. I take things one moment at a time. I follow my passions and I try to temper everything with common sense and logic. My degree will open a lot of doors for me in the future, but it has taken a back seat to everything else. There are a lot of things I know I need to do right now. I need to focus on burlesque right now. I need to be a good mom right now. I need my boyfriend right now…wait that’s not what it sounds like!

On a more personal note, I only get the chance to be a great mom once. I know how important my influence is while he’s young and he is my top priority. My boyfriend has been a great support in my life, artistically and emotionally. We’ve known each other for years and I still get butterflies when I know he’s in the audience. I follow my heart and my gut in all matters of my life and, to my great surprise, I find myself where I belong.

The Goddess, Immodesty Blaize, talks bonkbusters, Ambition, waistlines and Texas.

Divertida Devotchka

1. You’ve never performed in Texas, correct? What are your expectations for your March 20th show in Dallas?

I am really looking forward to coming. The promoter has been incredibly welcoming. Generally I have no expectations or pre-judgments whenever I perform somewhere new; I just give everything to my audience wherever I am!

2. What made you choose Dallas for the location of the U.S. premier of your new film, “Burlesque Undressed”?

There’s a great tradition of entertainment in Texas and I’ve been approached a number of times to perform there. The opportunity to combine a USA Film Festival premiere with a performance (which features Dirty Martini and Perle Noire) was a great idea for collaboration.

3. Have you noticed any significant differences between your audiences in the U.S. and those at your shows in the U.K.?

I find the audiences equally appreciative, and with a similar split of around 60% female to 40% male. If anything I would say that perhaps the mainstream American audience is a little more conservative than the European audience.

4. Your first novel “Tease” came out last year, and your second, “Ambition” will be out later this year. Care to tell us a little about the upcoming book? What other literary aspirations do you have?

The upcoming book is called ‘Ambition’ and it’s set in Vegas. It’s another bonkbuster and so you’ll find plenty of sex, scandal, private jets, Alpha males, superheroines, feathers, big hair…I think the best way to sum it up would be Dynasty meets Paul Verhoeven’s ‘Showgirls’. I’m seriously considering setting the third one in Dallas…so I hope I get to come back for some more in depth ‘research’!

5. After seeing you in person, I must say that the most astounding of all your breathtaking features was your waistline. You mention in your film that your waist shrinks to 19 or 20 inches when you’re wearing your corset. Have you always been able to tighten it so severely, or did you train your waist by tight lacing? If so, how long have you been tight lacing?

Thanks! No I don’t train my waist, I have an hourglass shape at rest, I’m 38-26-38 – so it’s not too much of a problem for me to take it down. The key for me to get the extra inch is just to not eat anything bulky the day of a show. I wouldn’t recommend it to anyone as daily wear and I only wear them that tight for short periods, I find it very uncomfortable to go down to 19 inches, as it hurts my back in particular. I once nearly vomited right before a show when I realized I couldn’t actually breathe. But I was stuck in the darn thing, with my shoulder pack strapped on underneath, my crystal underwire garroting my breasts, my headdress clamped in place, a choker tight around my throat, and sweltering under 50 kilos of feathers – I think it was a costume claustrophobic reaction. I’m sure there are many out there who identify!

6. In your film, your milliner Stephen Jones made the comment about your grandiose wardrobe, “It’s a costume. But she always wears it; it never wears her.” Can you think of any scenarios (performances, photo shoots, etc) in which you felt like your costume was “wearing you”? I’ve heard you describe some of your headdresses as “medieval torture devices.” How do you manage to make wearing them look so easy? (and glamorous, at that!)

Some costumes can be painful to wear, but it’s the smile you wear that completely outshines all that discomfort. If you want the exaggerated visual effect that the costume gives then you just find a way to deal with it. You can ‘tame’ the costume – rehearse a lot with it and find out what movement you can and can’t do, and get used to the pain/weight/restriction. Ultimately I think your persona still has to be the star, rather than the rhinestones – so the costume should suit, and work for the personality, not the other way around. I don’t mind the ‘no pain no gain’ thing – if it’s a hell of an effort to get it right then it feels like I’m going the extra mile in my presentation. I somehow feel more dressed to kill if my feet are dying in 6 inch heels. This will get me lynched by feminists, but it’s just how I feel, for me I don’t see the difference between that and the pain I feel after 100 crunches in the gym!

7. Other than the snag you ran into when choosing the name for the Tease Show, have you had any other experiences with censorship?

Not especially. Although occasionally some of my corporate clients ask me to reveal less, and not to remove my bra. (Dior for example). I’ll work closely with my clients to make sure we meet in the middle and achieve something they are 100% comfortable with, whilst still giving a burlesque performance. I’m not sure there’s any point just doing a dance routine in a corset, I wouldn’t try and pass that off as burlesque.

8. I’ve read that you immersed yourself in books as child, and in your film you touch on the topic of the escapist element of burlesque. Are your performances a way for you to bring those childhood fantasies to life? I mean, what little girl wouldn’t want an 8-foot crystal-encrusted red rocking horse or a 6-foot bejeweled telephone?

Actually an element of that horse prop was inspired by memories of the rocking horse my grandfather carved for me when I was tiny! However my shows are very much centered around ‘The Woman’ and I don’t really perform girlie things – no tutus or cupcakes. (At 6’3 in my heels it would look absurd if I came over all porcelain doll.) For me the escapist element came about because I always loved to create fantasy worlds and continued that into my adult life through working in film, and with writing and art. I am a huge fan of ‘camp’ which obviously involves an exaggeration of reality too, I love to include humor, and a sense of ‘ridiculous’, it’s probably just the European eccentricity in me.

9. What upcoming projects are you excited about? What are your goals for the upcoming year?

I tend not to talk too much about future projects in case I jinx them! But I will have some fabulous new performances in store, books….

10. How do you go about obtaining the goal of being perceived as “other-worldly,” as you mention in your film?
 


I used that term I guess as a way of relating to the concept of a ‘glamour’ which is, literally, a spell. With showgirls and actresses in mind for example, in setting up a much more exaggerated version of reality, it presents a vision to an audience that they would never see in everyday life – ie not in their immediate world – otherworldly. That way it becomes a special and memorable experience to watch and it has the capacity to transport the audience away from their every day concerns. However if you think about it, we create this believable idea that we waft around in gowns and rhinestones all day – the irony is that it’s not just an illusion, we really do live like that – because it’s part of the job, it’s vertical integration.

11. How do you think burlesque will change in upcoming years to accommodate the current boom in the industry?


Certainly there are great opportunities for mainstream awareness. Burlesque was always meant to be populist and accessible for both high and low culture, so it’s good to see a return to a mainstream audience base. Although it’s impossible to predict how the genre will evolve. I have no idea! I just hope that in whatever direction it progresses there will continue to be great new ideas, and high quality. If there aren’t then the audiences won’t want to come back for more!

12. When U.S. audiences first saw you, it was at the 2007 Miss Exotic World competition where you took the crown, but what about the first time you ever hit the stage as a burlesque performer? Did you have large scale props, fabulous costumes, and spot-on choreography or was it more “modest”?


Back in ‘98 there were no burlesque clubs in London; I performed on the performance art scene. There wasn’t the stage space for huge props, and there weren’t the audiences back then to pay for $50,000 costumes! However it was a vibrant and creative underground scene, I learned a lot. My first ‘classic’ act was a ‘garden of delights’, with an old velvet chaise lounge covered in fresh flowers, roses, petals, it smelt great but was pricey to do every show. (In retrospect it was a little like Lili St Cyr’s flower-covered throne.) I also experimented with Berliner cabaret influences, some of my acts were more ‘neo’. I surprised an audience once when I entered in immaculate black Victorian men’s riding gear to a baroque, before stripping into a military pony girl in sparkling harnesses to a Goldfrapp heavy electro cover of ‘Yes Sir I can Boogie’ which she sung as a political statement about the 2nd Iraq war. I really enjoyed those early days of experimentation! I guess it allowed my stage persona to develop naturally.

13. You found your burlesque name when the gas man compared you to the comic book character Modesty Blaise. Other than physical characteristics, is there anything else about her character with which you can identify?


Yes she had been a child without a family who had to grow up quick. Other than that, no I’m not a hit woman. I do have a secret penchant for thigh boots though, but as part of uniform or riding….

14. With so many projects, from managing the details of every production from the props & costumes to the talent, to writing and film projects, how do you manage to find time for things like meals and sleep?

Haha, I don’t! I’m writing this at 4 am!

15. What does a typical day look like for you? Is there any sort of routine? 


No routine. But I have to be disciplined, for example I have to get my word counts done when I’m in the middle of a novel, I have a weekly training regime, I live by deadlines for shows etc …. But it’s a funny old job, as you know it’s time consuming to design and create shows, and the performances take me all over the world so I travel a lot. I have a low boredom threshold so it probably suits me best that no two days are the same. 
I try to squeeze in time in my house in France whenever possible so I can take an afternoon out by the pool to gather my thoughts.

16. What do you enjoy when not immersed in burlesque?


Art. Any kind of art or culture. Although not performance necessarily, I do try to have a break from that. I also like to DJ electro, disco, and soul as listening to 40s/50s music every day drives me round the bend occasionally.

17. Just out of curiosity, how many diamonds adorn your diamond merkin?


None, they’re constructed in China by my costume jeweler who uses cut crystals. Shhh, that’s not very other-worldly is it!

Miss Blaize will be performing for the first time in Texas on March 20th at the Lakewood Theater, as well as screening her new film Burlesque Undressed. For more info on the show, please visit our Events page.

New Orleans-based burlesque superstar Perle Noire discusses her Miss Exotic World titles, Josephine Baker, wardrobe malfunctions, and how Hurricane Katrina changed her life.

Interview: Divertida Devotchka Photographs: Shoshana, Through the Looking Glass Studio

How long have you been performing?

I’ve been performing since I could speak and walk as an actress, singer and of course I loved to dance around whenever I got the chance. Although I’m not formally trained, I still have such a passion for being onstage.

How long have you been involved with Bustout Burlesque?

I’ve been involved with Bustout Burlesque ever since Hurricane Katrina.

What made you decide to get involved in burlesque?

I fell in love with burlesque when I discovered Josephine Baker. Her story was so fascinating to me that I vowed to perform a tribute to her one day. So I started doing research on other burlesque queens and tried to find shows to audition for. The women seemed so empowered and free. I loved how glamorous and confident they looked. In New Orleans there was a burlesque musical called Backstage at Da Fonky Burlesk, and after performing in this musical I knew that I was meant to be a burlesque performer.

Burlesque is widely interpreted and means something different to many people. What is your definition of burlesque?

The definition is “to make a spectacle of” and I love that. Burlesque is not about taking off your clothes. True burlesque is about showmanship and creativity.

Tell me about your best moment(s) as a burlesque performer.

My audition for Bustout Burlesque was great because I met Dollie Rivas and Rick Delaup and that was the moment that sent off a chain reaction to my burlesque career. This moment followed winning Best Debut [at Miss Exotic World 2008] which lead me to London to perform in The Tease show with the mighty Immodesty Blaize, Kalani [Kokonuts] and Catherine D’Lish. Now I’m speaking with you as the Second Runner-Up Miss Exotic World 2009.

Do you have a worst burlesque moment or embarrassing story (wardrobe malfunction, accident, injury, etc.)?

I’ve been known to lose a pastie.

Tell me all about your experience at Miss Exotic World. What are your aspirations for next year?

I had such an amazing time at Miss Exotic World. Everyone in the community has been so helpful and kind to me. I remember when they called my name last year for Best Debut, I was in shock. It’s such an honor to perform on the stage and I still can’t believe I won at Exotic World twice. I really hope to become a burlesque queen one day.

Who is/are your inspiration(s)?

I’m so inspired by Josephine Baker, she was so ground breaking. I love to watch other performers; they inspire me all the time. I love the queens and upcoming queens such as Immodesty Blaize, Kalani Kokonuts, Catherine D’Lish, Dirty Martini and so many more.

What do you know about the history of burlesque in New Orleans, and what impact (if any) does that history have on what you do today?

New Orleans Burlesque was so vital to the burlesque scene. Bourbon Street was famous for its burlesque legends such as Wild Cherry. I’ve had the honor of performing on Bourbon Street and I’ve worked with Wild Cherry. The stories she’s told me about Bourbon Street, well you’ll have to ask her yourself.

Tell me all about the New Orleans Burlesque Festival. What are you most looking forward to about the weekend?

I’m so excited about the festival! It’s the first burlesque festival to feature a LIVE BAND! I’m competing for the title and I have to say, I’m extremely nervous. I can’t wait to watch everyone backed by a live band.

Were you there during Hurricane Katrina, and if so, what impact did it have on your life and/or your involvement in burlesque at that time? Would you say that New Orleans has now “fully recovered” or do you think there are any areas that may never recover?

I was in New Orleans for Hurricane Katrina and I lost everything. This event made me more determined to live my life and pursue my dreams because everything really can change in the blink of an eye. The New Orleans Burlesque Fest is proof that New Orleans is recovering.

What do you like to do when you’re not performing, rehearsing, etc.?

When I’m not performing I’m working on performing again. I contact shows about performing as a guest performer and audition for plays.

Anything you’d like to add?

I would really like to thank all the burlesque queens before me. Thanks for taking a chance and opening up so many doors. The burlesque community has accepted me with open arms and I’m truly grateful.

Editor’s Note:
All Photos taken at the Victorian House Bed & Breakfast on Rampart. www.victorianhousenola.com The staff was very hospitiable, the building was beautiful and has a rich history (it is over 100 years old, and after being a private residence, it had a run as a brothel beginning in the 1930s, before becoming the beautiful bed and breakfast it is today). I highly recommend The Victorian House to any NOLA visitors.

During our shoot, while sipping a vodka, sprite, and soda, Miss Perle Noir shared her infalliable Hangover Cure with me:
Two Pepto fast tabs (the melty kind, not the shaken kind) dropped into a glass of Sprite (Coke will do). Drink while still drunk, before you hit the pillow. Perle swears by it!