2010 Best Solo & Audience Choice Winner at Texas Burlesque Festival:

Angi B Lovely drops in to chat about titles, aerials, gypsies, Maury Povich, and disco camping.

Interview: Shoshana.  Photographs: High Art Studio and Benn Britt.

Catch Angi this month at Viva Dallas Burlesque on August 6^th, with the Lollie Bombs August 13^th and 14^th, and in September at The New Orleans Burlesque Festival!

Q: You originally came on the burlesque scene in Dallas, well…by helping to start it.  Tell us about those early days as a co-founder of the award winning and beloved troupe- The Lollie Bombs.

It wasn’t entirely glamorous in the beginning I must admit. We often performed on tiny, badly lit stages, mostly at bars and changed in storage rooms with no mirrors.

Trying to educate an audience that had no idea about burlesque was no easy thing to do, especially when most of us didn’t have a basis of comparison ourselves, because of this we took a lot of risks.  Some of our early work included botoh pieces, gas masks, beat poetry, drag queens, and guy members… anything went. Eventually we figured out a formula that worked, but there was a lot of trial and error.

Q: In addition to your work with the Lollie Bombs, you have also come onto the radar as one of the only aerial artists in Texas on the burlesque scene.  How did you first become interested in aerials and what was your training?

As a child I was always climbing to the highest point I could get to; I would often get stuck in trees, or spend hours on the roof. During recess I would spent my time alone hanging upside down and figuring out ways to flip off the bars. I never had any fear of falling, and enjoyed the comfort and quiet of being alone in the air. It was always in the back of my head that aerial art was something that I wanted to do. I took a few classes here and there, but it wasn’t until after my grandmother died that I made the commitment to go for it in a very serious way. She wanted to be a trapeze artist and had always wanted my mother to join the circus. I always wanted to be an aerialist too, so in a way I feel I’m living both of our dreams.

Q: Your aerials, hula hoop performances, fire performances, and work as a performance artist has taken you to all kinds of venues and performances outside of the burlesque scene.   In addition to burlesque, what are your other performance interests?

I love ballroom dance. I have a special love for swing dancing, lindy hop most specifically. I also studied musical theater early in my college career and still have a huge interest in that area.  Also, with literally dozens of disciplines with in circus art, I feel I’m just scratching the surface.

Q: What do you say to folks who say that your aerial numbers are not true burlesque?

I’m not entirely sure what “true burlesque” is to be honest.  This seems to be a genre that is continually reinventing itself. I do theatrical striptease with a gimmick. Some girls strip with a feather boa, I strip in the air. I don’t see how one is more “burlesque” than the other. Indigo Blue once told me “we can spend a lot of time talking about what burlesque isn’t, but I’m not sure how productive that is”. Like her, I’d rather focus my energy on being inclusive, not tearing each other down.

Q: Tell us how it felt winning the title of Best Solo at Texas Burlesque Fest, as well as being a finalist for the title of Performer of the Year at Hot Rods and Heels.

Winning best solo at TX Burlesque Fest was pretty surreal- I had not expected to even be competing at all.  It was only after  tying for crowd favorite with Gravity Plays Favorites Friday night and was invited back to compete Saturday. This was my third year at TX Burlesque Fest and I’ve never been included in the competition, only the showcase, so winning something my first year competing was an incredible honor, especially with all the enormous talent that was involved in this year’s show down. It’s a moment I will treasure for a long time.

I stopped performing and moved to Houston during the time that Burlesque really exploded in Dallas, so moving back I was relatively unknown.  Even the people who had remembered me from The Lollie Bombs might not have thought of me as a solo performer, so I felt I really had a lot to prove.  When I was nominated by my peers as a finalist for Performer of the Year it solidified in my head that I had been accepted into the community, and had made a name for myself as a solo performer.

Q: I joke that you’re a gypsy, but it is true that you come from a long line of performing and visual artists.  Tell us a little about your background.

My grandmother on my mother’s side was always drawing and sketching. My mother was a ballerina, and my mother’s brother is an actor, sculptor, puppet maker and Renaissance man in general. My father’s mother was an actress and a dancer as well, having minor roles in movies like Singing in the Rain.

Q: I hear that Maury Povich plays a role in your daily life- What’s with the Maury addition?

Kind of a guilty pleasure I guess. I practice aerials everyday from one to three, which also happens to be when Maury is on, so usually I’m watching Maury 10 feet in the air.  My trainer and I get a good laugh, it’s bonding for us.

Q: Ok, another oddity- disco camping?

Yes, It’s like regular camping only you bring your whole house, your costume wardrobe, and a big ass disco ball. Pants are optional, participation is mandatory.

But seriously, Disco camping is a phrase I use to refer to events I attend that are based on the 10 principles of Burning Man. Being involved in this community has definitely helped to shape who I am as a person and a performance artist, I’m continuously finding new inspiration and platforms to express myself through these venues.

Q: Artists seek to challenge themselves as a general rule, with so many performance styles under your belt, is there anything you haven’t conquered that you’d like to?

Oh plenty! I have a huge appetite for learning new things and like keeping my audience on their toes. Belly dance, hand balancing, and roue cyr are what come to my mind immediately. I’d also like to learn to play an instrument, something quaint -maybe the ukelalai.  I’m also interested in learning the production side of performance, like lighting design, set and prop building, costume design and sewing skills- really being a one woman show.

Q: What are your three biggest indulgences?  Three biggest fears?

I fear never truly mastering one craft because my focus often switches so quickly. I also fear the deterioration of my body as I get older resulting the loss of my ability to dance. The third may sound silly, but I have a huge fear of being by myself at night where I cannot see all the entrances and exits of the house- it can be crippling at times.

My indulgences are: costumes, snobby beer, and sleep.

The Layman’s Guide to Burlesque Classes in Texas.

By : Shoshana

Whether you were inspired by attending a local burlesque show, and want to hit the stage yourself, or you are just looking for a creative workout there’s a local burlesque class and instructor that is just right for you.  The trick is finding the perfect fit.

Dallas

Ginger Valentine uses her 15 years of dance training to serve as headmistress of Ginger Valentine’s Burlesque Charm School.  Novices and seasoned performers welcome.

Monday & Wednesday evening classes are held at The Ruby Room (Fair Park in Dallas) and sessions include “Bumps and Grinds” and “Classic Burlesque Striptease”.  You may buy classes in series, or drop in for $20.

Tuesday is “Burlesque Shimmy and Tone” at Move Studio in far north Dallas.

Miss Malicious of The Lollie Bombs and Texas Performer of the Year 2009 teaches “Burlesque 101” at 7pm every Monday evening at Lady of America Gym on Mockingbird at Abrams. Malicious covers everything from classic burlesque moves and basics to full burlesque routines.  Class is free with gym membership ($30/mo) or drop-in for $15.

Delilah Muse, nationally renowned flamenco dancer, has dove head first into the world of burlesque! Her “Get Your Sexy Back” Burlesque class at United Dance Academy caters both to new mothers wanting to get back in shape & expectant mothers looking to stay sexy and fit during pregnancy.  Classes are on Saturdays. $55 per Month or $15 per class.

One of Dallas’ oldest cabaret troupes, The Velvet Kittens teach a wide variety of cabaret style and burlesque classes at the Verandah Club in Dallas.  Classes and workshops change monthly.  Four Class Series is $60 regular registration.

Denton

Honey Cocoa Bordeauxx has been on the stage since age two.  She brings her expertise to the Green Space Arts Center every Monday night for Burlesque Aerobics.  Classes are $10 for TWU or UNT students and $15 for non-students.

Honey will also be starting at class at Sole Groove Dance Fitness in Flower Mound later this month!

Austin

Austin Academy of Burlesque’s headmistress is none other than Miss Coco Lectric, co-founder of The Jigglewatts and Hot Rods and Heels Texas Performer of the Year 2010.  Lectric covers everything from classic techniques with boas, gloves, and stockings, to advanced choreography and full routines.  Classes range from $10-$15 and are on a drop-in basis and are held at Galaxy Dance School and Lucila’s World Dance Studio.

Houston

Grace Truvant founded Lady Grace Academy, Houston’s first school of burlesque just over a year ago.  The classes are taught in series and students may choose from a wide variety of subjects such as “Classic Moves of Burlesque” (Truvant is a New York School of Burlesque associated instructor), “Advanced Burlesque: Creating Your Character”, and “Exotic Essentials”.  Fees variety based on studies choosen.

Texas Burlesque Performer- One to Watch (Hot Rods and Heels Newcomer Category) Bunny Bailey talks polyamoury, swapping, saving the planet, and being a “world renowned burlesque star”.

Interview & Photographs: Shoshana, of DallasPinUp.com

Q: You describe your style as “avant garde”.  What do you choose this term and what do you hope viewers will walk away with from your performances?

The word avant-garde is defined as new and unusual or experimental ideas, especially in the arts.¹ Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm.² I simply feel this explains what I do, who I am, and what I aim to achieve as a performer. It’s a motivational term that expresses my desire to go above and beyond what’s safe, comfortable or expected.

While I don’t personally see a lack of innovation in the scene at all, I feel being avant-garde speaks to the style and execution of creativity. In my case I utilize modern/alternative music, costuming and concepts over the beloved classic choices in many routines. I have something to say that extends far beyond my sex appeal or dance abilities; although a great deal of it hasn’t been seen on stage yet. Describing myself as avant-garde is a reminder to not be scared about going “there” and sharing that experience with others.

I cannot yet specify what I wish viewers will walk away with from my performances, but it’s my hope that I will be embraced for my beauty, brains and balls.

¹ Oxford English Dictionary

² Wikipedia

Q: In addition to your “alternative” views on burlesque, you also have some alternative personal views.  Can you explain your desire to “create the world’s largest swapping environment” while “shacking up with your huge polyamourous family”?

Ha! I see when those two phrases are set side-by-side it’s quite suggestive. However, in my case “swapping” is a reference to stuff, not people and partners. One of my entrepreneurial pursuits before burlesque was creating an NPO where I hosted parties for (mostly) women to exchange all their excess stuff with one another. Even though I switched gears, I have every intention of continuing that work on a much larger scale because it’s tragic how wasteful and resourcefully careless we are on this planet.

As for the other mention, I am a bi-sexual, polyamorous woman. While I am married to a wonderful, gorgeous man I adore, it is my ultimate desire to have multiple partners in open-but-committed extended relationships that result in a huge family with oodles of super-kids and pets running around on our eco-farm village. I’m definitely a modern hippie.

Q: Though you have extensive formal dance training, you opted for the world of burlesque as opposed to say, joining a touring dance company.  Can you share with us how you picked your path in the dance world?

When I first fell in love with dance as a child it was upon the discovery that dance was a language, and it became a conversation I could have with myself to learn more about who I was. It was a secret place that I could disappear to and feel more truth and honesty than I did in the real world. As I grew older and navigated the dance domain further, it got farther and farther from what I wanted it to be.

After high school I knew I would not be happy in any of the traditional homes for a dancer, and decided to withdraw. I trusted I would find or make my own way. I had first found The Wall in Deep Ellum, where I cut my freestyle chops, then belly dancing at my local YMCA, and finally burlesque. It’s in this community that I have the freedom I was searching for.

Q: It’s been quite a year for you!  Since leaving the Velvet Kittens, your former troupe, you have been a solo performer for just about a year now and were recently earned the Newcomer Award- One to Watch at Hot Rods and Heels as well as being selected from a pool of hundreds to perform at Viva Las Vegas.    Have those recent experiences influenced your burlesque outlook or feelings on competition within burlesque?

It has been an exciting year full of new experiences for sure, although familiar at the same time since I’ve been performing successfully most of my life. Still, in a new community you don’t exactly know what to expect so I feel very lucky to have been so welcomed and recognized!

I continue to feel that there should be better ways to recognize performers than having them be formally judged in competitions, but I am grateful for being selected and the opportunities that stem from that of course!

Q: As well as the highs, you’ve had some lows this year.  As a result of a random and violent attack several years ago, you spent some time early this year in surgery.  How’s your health now?

Well the low was really 8 years ago when it happened and in the past year I’ve been very lucky with the two surgeries I’ve had so far. I have two more planned as of right now but my costs have been completely covered so that’s a huge relief. I also chose a naturopathic physician I just love and their whole team is wonderful; they take very good care of me. It’s one step at a time and while I don’t know exactly what the end result of all the work will be, I have been able to focus on healing and have every reason to be optimistic about it.

Q: In addition to aspiring to be “a world renowned burlesque star”, also have “successful indie singer/songwriter” on your list of lifetime ambitions.   Any chance we’ll be hearing you sing anytime soon?

I hope so! I’ve been singing and writing songs since I was 8 or 9, but I developed a major case of stage fright. I can be brought to tears singing so easily (damn emotions) and letting my music be heard feels like the most vulnerable and exposed I’ve ever been. But, I’ve been practicing with my husband and friends so it’s in the works. I have a signature act and song called “My Name is Bunny” that I’d love to get on stage- it’s upbeat and adorable, so I won’t cry.

Q: What does the future hold for Bunny Bailey?

Hopefully everything we’ve discussed so far (which is a shitload)! I will continue performing and modeling, although I will be slowing down a bit. The acts I want to put on stage next are all pretty much going to take a while to prepare.

Even more of a consideration than that however, is my recent decision to return to school and get my degree in Environmental/Sustainable Architecture. This is a very big deal and will mean a move and performing only during summers once I’m enrolled. That is ideal for me though, as I need a healthy dose of scholastic endeavors to balance my artistic activities.

A future full of love, laughter, learning, philanthropy, art, community, creating, travel and other such great things- that’s the plan!

Pin Curl Magazine is proud to present: Viva Dallas Burlesque!

Dallas’ first consistent monthly burlesque revue! The first Friday of every month the Lakewood Theater will host Viva Dallas Burlesque, featuring your favorite local ladies of burlesque.

June’s show features Angela Ryan and the aerial acts of Angi B Lovely! This show will also feature the return of beloved Comedian Justin Foster as MC. This promises to be a night of laughs, stunning visuals, and lots of fun.

Doors open at 8pm. Tickets are $20 in advance. Tickets

The Goddess, Immodesty Blaize, talks bonkbusters, Ambition, waistlines and Texas.

Divertida Devotchka

1. You’ve never performed in Texas, correct? What are your expectations for your March 20th show in Dallas?

I am really looking forward to coming. The promoter has been incredibly welcoming. Generally I have no expectations or pre-judgments whenever I perform somewhere new; I just give everything to my audience wherever I am!

2. What made you choose Dallas for the location of the U.S. premier of your new film, “Burlesque Undressed”?

There’s a great tradition of entertainment in Texas and I’ve been approached a number of times to perform there. The opportunity to combine a USA Film Festival premiere with a performance (which features Dirty Martini and Perle Noire) was a great idea for collaboration.

3. Have you noticed any significant differences between your audiences in the U.S. and those at your shows in the U.K.?

I find the audiences equally appreciative, and with a similar split of around 60% female to 40% male. If anything I would say that perhaps the mainstream American audience is a little more conservative than the European audience.

4. Your first novel “Tease” came out last year, and your second, “Ambition” will be out later this year. Care to tell us a little about the upcoming book? What other literary aspirations do you have?

The upcoming book is called ‘Ambition’ and it’s set in Vegas. It’s another bonkbuster and so you’ll find plenty of sex, scandal, private jets, Alpha males, superheroines, feathers, big hair…I think the best way to sum it up would be Dynasty meets Paul Verhoeven’s ‘Showgirls’. I’m seriously considering setting the third one in Dallas…so I hope I get to come back for some more in depth ‘research’!

5. After seeing you in person, I must say that the most astounding of all your breathtaking features was your waistline. You mention in your film that your waist shrinks to 19 or 20 inches when you’re wearing your corset. Have you always been able to tighten it so severely, or did you train your waist by tight lacing? If so, how long have you been tight lacing?

Thanks! No I don’t train my waist, I have an hourglass shape at rest, I’m 38-26-38 – so it’s not too much of a problem for me to take it down. The key for me to get the extra inch is just to not eat anything bulky the day of a show. I wouldn’t recommend it to anyone as daily wear and I only wear them that tight for short periods, I find it very uncomfortable to go down to 19 inches, as it hurts my back in particular. I once nearly vomited right before a show when I realized I couldn’t actually breathe. But I was stuck in the darn thing, with my shoulder pack strapped on underneath, my crystal underwire garroting my breasts, my headdress clamped in place, a choker tight around my throat, and sweltering under 50 kilos of feathers – I think it was a costume claustrophobic reaction. I’m sure there are many out there who identify!

6. In your film, your milliner Stephen Jones made the comment about your grandiose wardrobe, “It’s a costume. But she always wears it; it never wears her.” Can you think of any scenarios (performances, photo shoots, etc) in which you felt like your costume was “wearing you”? I’ve heard you describe some of your headdresses as “medieval torture devices.” How do you manage to make wearing them look so easy? (and glamorous, at that!)

Some costumes can be painful to wear, but it’s the smile you wear that completely outshines all that discomfort. If you want the exaggerated visual effect that the costume gives then you just find a way to deal with it. You can ‘tame’ the costume – rehearse a lot with it and find out what movement you can and can’t do, and get used to the pain/weight/restriction. Ultimately I think your persona still has to be the star, rather than the rhinestones – so the costume should suit, and work for the personality, not the other way around. I don’t mind the ‘no pain no gain’ thing – if it’s a hell of an effort to get it right then it feels like I’m going the extra mile in my presentation. I somehow feel more dressed to kill if my feet are dying in 6 inch heels. This will get me lynched by feminists, but it’s just how I feel, for me I don’t see the difference between that and the pain I feel after 100 crunches in the gym!

7. Other than the snag you ran into when choosing the name for the Tease Show, have you had any other experiences with censorship?

Not especially. Although occasionally some of my corporate clients ask me to reveal less, and not to remove my bra. (Dior for example). I’ll work closely with my clients to make sure we meet in the middle and achieve something they are 100% comfortable with, whilst still giving a burlesque performance. I’m not sure there’s any point just doing a dance routine in a corset, I wouldn’t try and pass that off as burlesque.

8. I’ve read that you immersed yourself in books as child, and in your film you touch on the topic of the escapist element of burlesque. Are your performances a way for you to bring those childhood fantasies to life? I mean, what little girl wouldn’t want an 8-foot crystal-encrusted red rocking horse or a 6-foot bejeweled telephone?

Actually an element of that horse prop was inspired by memories of the rocking horse my grandfather carved for me when I was tiny! However my shows are very much centered around ‘The Woman’ and I don’t really perform girlie things – no tutus or cupcakes. (At 6’3 in my heels it would look absurd if I came over all porcelain doll.) For me the escapist element came about because I always loved to create fantasy worlds and continued that into my adult life through working in film, and with writing and art. I am a huge fan of ‘camp’ which obviously involves an exaggeration of reality too, I love to include humor, and a sense of ‘ridiculous’, it’s probably just the European eccentricity in me.

9. What upcoming projects are you excited about? What are your goals for the upcoming year?

I tend not to talk too much about future projects in case I jinx them! But I will have some fabulous new performances in store, books….

10. How do you go about obtaining the goal of being perceived as “other-worldly,” as you mention in your film?
 


I used that term I guess as a way of relating to the concept of a ‘glamour’ which is, literally, a spell. With showgirls and actresses in mind for example, in setting up a much more exaggerated version of reality, it presents a vision to an audience that they would never see in everyday life – ie not in their immediate world – otherworldly. That way it becomes a special and memorable experience to watch and it has the capacity to transport the audience away from their every day concerns. However if you think about it, we create this believable idea that we waft around in gowns and rhinestones all day – the irony is that it’s not just an illusion, we really do live like that – because it’s part of the job, it’s vertical integration.

11. How do you think burlesque will change in upcoming years to accommodate the current boom in the industry?


Certainly there are great opportunities for mainstream awareness. Burlesque was always meant to be populist and accessible for both high and low culture, so it’s good to see a return to a mainstream audience base. Although it’s impossible to predict how the genre will evolve. I have no idea! I just hope that in whatever direction it progresses there will continue to be great new ideas, and high quality. If there aren’t then the audiences won’t want to come back for more!

12. When U.S. audiences first saw you, it was at the 2007 Miss Exotic World competition where you took the crown, but what about the first time you ever hit the stage as a burlesque performer? Did you have large scale props, fabulous costumes, and spot-on choreography or was it more “modest”?


Back in ‘98 there were no burlesque clubs in London; I performed on the performance art scene. There wasn’t the stage space for huge props, and there weren’t the audiences back then to pay for $50,000 costumes! However it was a vibrant and creative underground scene, I learned a lot. My first ‘classic’ act was a ‘garden of delights’, with an old velvet chaise lounge covered in fresh flowers, roses, petals, it smelt great but was pricey to do every show. (In retrospect it was a little like Lili St Cyr’s flower-covered throne.) I also experimented with Berliner cabaret influences, some of my acts were more ‘neo’. I surprised an audience once when I entered in immaculate black Victorian men’s riding gear to a baroque, before stripping into a military pony girl in sparkling harnesses to a Goldfrapp heavy electro cover of ‘Yes Sir I can Boogie’ which she sung as a political statement about the 2nd Iraq war. I really enjoyed those early days of experimentation! I guess it allowed my stage persona to develop naturally.

13. You found your burlesque name when the gas man compared you to the comic book character Modesty Blaise. Other than physical characteristics, is there anything else about her character with which you can identify?


Yes she had been a child without a family who had to grow up quick. Other than that, no I’m not a hit woman. I do have a secret penchant for thigh boots though, but as part of uniform or riding….

14. With so many projects, from managing the details of every production from the props & costumes to the talent, to writing and film projects, how do you manage to find time for things like meals and sleep?

Haha, I don’t! I’m writing this at 4 am!

15. What does a typical day look like for you? Is there any sort of routine? 


No routine. But I have to be disciplined, for example I have to get my word counts done when I’m in the middle of a novel, I have a weekly training regime, I live by deadlines for shows etc …. But it’s a funny old job, as you know it’s time consuming to design and create shows, and the performances take me all over the world so I travel a lot. I have a low boredom threshold so it probably suits me best that no two days are the same. 
I try to squeeze in time in my house in France whenever possible so I can take an afternoon out by the pool to gather my thoughts.

16. What do you enjoy when not immersed in burlesque?


Art. Any kind of art or culture. Although not performance necessarily, I do try to have a break from that. I also like to DJ electro, disco, and soul as listening to 40s/50s music every day drives me round the bend occasionally.

17. Just out of curiosity, how many diamonds adorn your diamond merkin?


None, they’re constructed in China by my costume jeweler who uses cut crystals. Shhh, that’s not very other-worldly is it!

Miss Blaize will be performing for the first time in Texas on March 20th at the Lakewood Theater, as well as screening her new film Burlesque Undressed. For more info on the show, please visit our Events page.

Dirty Martini talks Texans, the Moisture Festival, straight men, and about her first Burlesque show.

Interview: Divertida Devotchka

Q: You’re featured in Immodesty Blaize’s documentary “Burlesque Undressed.” What was your reaction when you were informed you’d be included in the project?

Immodesty approached me about participating in her film when I performed in her show the year before at Koko nightclub in London. It was a fabulous show and I love her so I was more than happy to be interviewed for the film at the Burlesque Hall of Fame weekend the following year. Unfortunately the amazing footage from that show wasn’t able to be used in her documentary and I wasn’t able to perform in the show that all of the wonderful footage was pulled from due to my shoot schedule for the French film “Tournee” which will premiere at Cannes in May, but luckily it was used for my documentary Dirty Martini and the New Burlesque which will screen at the Dallas film festival in April. I’m really thrilled that the footage will be used as it was a very professional shoot and I was devastated that I wasn’t able to perform in her show last May because that was even better looking! I hate to have to pass up any opportunity to work with Immodesty.

Q: You’ll be performing in Dallas on March 20th for the U.S. premier of the aforementioned film. Do you think Dallas is ready for Dirty?

Every city I’ve gone to all over the world has been very warm and receptive to my performance and made me feel extremely welcome and I’ve heard that Texans have big hearts so I’m excited to perform there. I was in Austin a couple of years ago and had a great experience there and loved it so I suspect I will feel right at home.

Q: Do you have any other film projects in the works?

I have two short films out currently touring the film festivals, one a short format documentary by Iban del Campo and a beautiful silent film by Steven Dirkes called the Object. I worked with French actor Mathieu Amalric for a film that will premiere this May in Cannes called Tournee and Dirty Martini and the New Burlesque by Gary Beeber will be having its first screening at the Moisture Festival in Seattle March 29th. I’ll be there with Burlesque Undressed on the 23rd as well. It’s been really fun planning Immodesty’s U.S. release along with my film too.

Q: You were recently voted the top fan favorite in the 21st Century Pinups Burlesque Top 50. How does that make you feel? What was your reaction when you heard the news?

I was very surprised to be voted number one and honored because of the company in the top 20 alone! It must have been a very tight vote indeed. I’m a big fan of Catherine D’Lish and Michelle L’Amour and Immodesty and Julie Atlas Muz and Dita and and and….. so you can only imagine how incredible it is to have such wonderful fans to vote me in there too! I feel very lucky indeed.

Q: The Lagerfeld photos in the V Magazine size issue are absolutely out-of-this-world! In a recent interview you mentioned that you didn’t know it was going to be a plus-size issue when you agreed to do it. Had you known that going into it, would you still have agreed to do the shoot? Do you feel like knowing that beforehand would have altered your perception, preparation or behavior going into it?

Well…. It’s not like you tell Karl Lagerfeld and V Magazine you couldn’t possibly come to Paris and shoot at the House of Chanel! It was an incredible experience and I felt shocked that Steven Gan and Steven Chaiken at V thought of me for the editorial. I suppose the whole thing made more sense when I found out a month later that it would be a magazine devoted to all body types. I think it’s a shame that people only think of it as a plus size issue when there are really all types of women represented. Actually, come to think of it there aren’t all types of women in it. People were complaining that I am obese and some of the other models were as well, but I didn’t see anyone over a size 16 in any of the shoots. Considering that the average size for women in the U.S. is currently a size 14, there seems to be a disconnect in the fashion world. Big surprise there. My goal for what I’m doing in burlesque is to have women with womanly features represented properly in today’s hyper-controlled media. I believe that this is a big step for me and my mission statement!

Q: You’ve mentioned that you seek inspiration in drag queens and burlesque legends of the past. Care to elaborate on this?

When I moved to New York City, I went to drag shows at least once a week. I really loved the spirited and improvisational nature of the performances and the fact that they were edgy and interesting. Burlesque never really died in New York. Kitten Natividad performed at Show World in her own burlesque review in the 80’s, Ann Magnusson hosted a Vaudeville night featuring burlesque themed material and Jackie 60 in the early 90’s kept the spirit alive. Drag Queens in NY like International Chrysis and Candice Cayne kept that sexualized uber glamour alive for us and we should all be praying to them like the goddesses they are! They in turn – along with the Something Weird Video reels of old burlesque that I studied before creating my own burlesque routines – inspired me to be the glamour-crazed performer I am today.

Q: You were inspiration in the neo-burlesque revival, especially in New York. What have you noticed about the changes in the neo-burlesque scene in the past ten years? Any patterns you notice in different parts of the country?

Yes, there are patterns but every place is different. I knew that in London and the UK it would become a big retro craze like Carnaby Street in the 60’s. When I performed in Paris for the first time I knew it would grow there too. I saw the very first new burlesque show in Paris’ Bastille district. Kitten on the Keys and I went to see Kisses Cause Trouble there and arrived too late because we were confused by the 24 hour clock. They ended up repeating the entire show just for us and their fans stayed to watch it again as well. That’s the spirit of New Burlesque- that punk rock DIY feeling! Burlesque will always have its high end shows and its more campy and experimental shows and it’s wonderful that there is room for all that self expression. I feel it’s very important for women to express their sexuality in a free and unencumbered way with no edicts from society or more particularly straight men.

Q: How rewarding is it to know that you are such an inspiration to women of all sizes? You’ve remarked before that “the power of possibility” is the most important result of burlesque’s influence on its female audience. Can you talk more about that power?

I would hope that I inspire ladies not to give up on their own power. I’m happy to be a role model for plus-sized ladies, but more than that I feel like the leader of a powerful revolution for women’s rights. What we do in burlesque in the 21st century is so much more than just glamour and beauty and a rhinestone leg show. I believe it also to be an important expression of female culture. People talk about the Amazonian tribe of myth, and well, I think we have that potential as well. Women are very powerful and taking away our power over our own reproduction and sexual expression is akin to castration. It keeps us down and powerless.

Q. Do you think Karl Lagerfeld knew what he was getting into when you first entered the room for your shoot? Was he able to match your energy and pace when trying to capture your images?

Lagerfeld is a very busy glamour puss! He was shooting his own film that day and my shoot was like a little side diversion. He was exhausted by the time he got to me because his day started at 7am. It’s not easy to be the most glamorous man in the world and have your day start at that hour. Our shoot started at 10pm right after the film wrapped for the day, but he gave me as much as I gave him. I adored him and everyone on that set. They treated me with respect and I had a wonderful time.

Q. You’ve said that there were several Coco Chanel look-alikes milling about the area during your shoot due to a movie being filmed. How crazy was that?

Everyone on set thought it was surreal seeing Jane Schmitt dressed as Chanel later in her life. She was the spitting image of Chanel herself! The film is posted to Youtube (and you can see it here http://www.youtube.com/watch?v=e3t_3fIWFlw). I loved the woman who played the Duchess of Windsor, Amanda Harlech; she was someone with an incredible aura. I had never heard of her, but when I met her I knew she was someone I wanted to get to know better. Apparently she is a confidant to Lagerfeld and John Galliano. I just thought she was an amazing person. Jane Schmitt was too and that’s why she was in the photos with me. It wasn’t planned, we just happened to be talking and getting along and Lagerfeld started shooting us. She was a little unsure at first, but I made her feel welcome and told her I wanted her in the photos. I’m glad one of them was chosen for the magazine. I thought it was a fun juxtaposition as I felt Chanel’s spirit pirouetting in her grave while I was posing on her stairwell!

Q. Would you say that in a way your size/shape has been a double-edged sword for you in the industry? I’ve seen remarks from you before that you feel like people always focus on that as opposed to your art/talent being the primary focus as it is with some of your contemporaries.

I do wish that people could not have prejudices, but that’s a tall order. I started performing burlesque routines because I felt that it put my dance training and body type in perspective, but some people can’t go on that journey with me due to their own ideas of what women should be. I hate that should word. I think it’s very dangerous.

Q. What the most fun experience you’ve had since embarking on your burlesque career? What has been your most challenging experience to date?

There are challenges in every career. Mine has been to keep myself motivated to make new work, but luckily I have had life changing experiences seeing what other performers have done within the burlesque medium and it keeps me inspired to make new and different pieces. The best experiences have been traveling and meeting new performers everywhere. The first time I heard backstage chatter about pasties and burlesque costumes with a mid-west accent was a fun and weird experience. Walking into old theaters and feeling the history in those buildings has been amazing too! I’ve met some incredible people because of burlesque, some very famous and some just regular folks and I’m always amazed at people’s generosity and fabulousness!

Dirty Martini will be performing with Perle Noire and the mighty Immodesty Blaize on March 20th at the Lakewood Theater, as well as answering questions about her role in the new film Burlesque Undressed. For more info on the show, please visit our Events page.

Selling Out Show After Show is No Accident: Meet The Lollie Bombs

Story: Shoshana; Photos: Benn Britt and Through the Looking Glass

Year after year, audiences pack into the cozy Pocket Sandwich Theater, sip on sangria served in a pitcher, and enjoy their favorite late night revue- with everything from a crazed Zombie shooting character, to a pill poppin’ princess, and a gal dropping down from the ceiling performing a silks number, this evening is anything but “traditional” burlesque. Since forming in 2006, The Lollie Bombs and their Valentine’s Day show has become a Dallas tradition. In fact, the Lollies are so popular, that in a city known for its distaste for pre-show ticket sales, much preferring the walk-up route, they sell out almost every performance way in advance. So what is the secret to the Lollies success, we decided to try and find out.

Like most great creations, the zygote that later became The Lollie Bombs started out as a crazy idea in the head of woman. Miss Angi B Lovely had the idea of starting a burlesque troupe, and went to visit a theater owner who was looking for a reoccurring booking. She quickly rounded up four other dancing pals- Lily Lawless, Roxie Moxie, Kitty B, and Lady J. After performing 3 shows under the name “Burlesque Contempo”, the gals decided they were in need of a lot of assistance. “We weren’t really considering ourselves a ‘troupe’, at the time – really we were just putting on a burlesque show in a town where no one knew anything about burlesque and there was no ‘scene’ as of yet.”, explains Roxie Moxie, who relocated to Seattle in 2008.

Eric Hall went to one of the earliest shows, and agreed that the ladies had a lot of potential. Hall was hired as the group’s choreographer, and the show started to really come together. Along with the new skill set, the ladies decided they needed a new name. During a late night brainstorming session, Lawless popped out with “The Lollie Bombs” and it was a hit! The Lollie Bombs began performing in different venues around Dallas, and pounding the pavement with handmade flyers, until they had developed quite a following- but they still needed a permanent home. They found that home in the summer of 2007 in The Pocket Sandwich Theater, and the troupe had changed a bit. While Roxie Moxie, Angi B Lovely, and Lily Lawless remained, Kitty and Lady moved off to other cities; while Black Mariah, Miss Malicious, and Jai L Bait joined the troupe.

Pocket Sandwich audiences loved the Lollie Bombs late night performances, and the theater loved the new fans that the Lollies brought in with them. The Lollie Bombs began doing shows every other month at the theater, and achieved a consistency with audiences that many other troupes and producers haven’t been able to achieve. That consistency opened the doors to many media outlets, who simply weren’t interested in a fly by night production- either those newly starting out, or constantly switching venues with no regularity. Media brings in more fans, and fans bring in more media, creating a hefty audience base for the troupe, but media won’t keep fans coming back. What gives the ladies such a regular fan base of folks who come again and again? Part of that may be their high attention to production detail- putting on an entire theatrical spectacle. Another part is certainly the diversity of the show, and the constant revamping and growth in The Lollie repertoire. While members have come and gone, and new members have come on, The Lollie Bombs continue to thrive. The current Lollies are Angi B Lovely (left the troupe briefly to relocate to Houston, but returned to the group as soon as she returned to Dallas), Miss Malicious, Black Mariah, Jai L Bait (joined 2007, left for a brief spell, and returned in 2009), Trixi Toxic (joined 2008), Scarlette Switches (2009). For more on the troupe’s success, we decided to ask the ladies of The Lollie Bombs themselves.

Meet The Lollie Bombs:

Angi B Lovely
BIO: Angi B. Lovely began performing at a very young age as part of a dance group called the Konocti Klogging Kids. As a teenager Angi discovered Ball Room dance and worked as a dance instructor, competing at the professional level. She studied musical theater and pursued an acting career. Eventually, Angi’s interests turned to circus arts– fire spinning, aerial silks, and hula hoop.  As a founding member of the Lollie Bombs, Angi B. Lovely has been involved in Burlesque since 2006.  Her current repertoire is a mix of dance, theater and circus art. 

Q: In your opinion, what is the secret to the success of The Lollie Bombs?

The secret to The Lollie Bombs success is being able to adapt and change as time goes on, we are always looking forward and improving on the production value of our shows. Also, we are an extremely multifaceted group of girls and our repertoire is always expanding, you never know what to expect from a Lollie Bombs show. 

Q: What do audiences love most about you?
Audiences love me for my diverse skill set, especially hula hoops and aerial acrobatics.

Q: Who should be cast as you in the movie about your life?

Lucille Ball

Q: When did you know you should be a performer?

I knew I was meant to be a performer when I would bring my tutu to preschool and ask change into it during recess. 

Miss Malicious
Q: In your opinion, what is the secret to the success of The Lollie Bombs?

The secret to the Lollies success is diversity. You get it all for the price of 20 bucks- acrobatic work, snarky gals, butts, boobies, and fantastic choreography- Everything!

Q: What do audiences love most about you?

Audiences love me for my sarcasm and I think my butt; along with my thought provoking numbers and the overall destruction of everything. 

Q: When did you know you should be a performer?

I knew I was meant to be a performer when I was 6 years old and would act out every movie I saw. I was never shy; my step mother used to say I could have been easily abducted as a child because I would talk to ANYONE, especially if they had an animal with them.

I started acting in plays when I was 8 or 9, and dancing and doing gymnastics around the same time. I have always loved the stage. In junior high we would skip class by saying we had a big performance coming up, go to Drama, hang out with the teacher and build props all day. Somehow I still passed everything!

Q: What’s your pre-show ritual?

I rehearse a bit…eat some carbs so I don’t get hungry during a show…then get a beer…Stella or Blue Moon.

Black Mariah
Q: What is your pre-show ritual?

I listen to music by Brian Setzer Orchestra. I love his music and it puts me in the mood to perform. I also listen to the music I am performing to that evening on my IPod with my headphones. I close my eyes and visualize the routine from beginning to end and see it as if it is a goal I have already achieved. Physically rehearsing is just as important as mentally rehearsing.

Q: What is the secret to the Lollie Bombs success?

Diversity in every aspect of our performance.

Q: What do audiences love most about you?

Curves and comedy! I don’t take myself so seriously that I can’t laugh at myself. I’m not perfect; I think that makes me relatable to my audience.

Q: Who should be cast as you in the movie about your life?

Zooey Deschanel

Jai L’ Bait
BIO: A true old soul, Jai L’ Bait knows to much for her own good. Abandon at the age of two, she was brought up by the gypsies. At an early age, she had the knack to capture audience’s attention. She was trained to use her looks and talents to her advantage and soon, as a weapon. Shimmy and shaking her way on the stage, she caught the attention of the Lollie Bombs where she joined their burlesque group. A natural seducer, you older guys may want to watch your back! This young temptress is here for the music and mischief. Get ready for trouble…

Q: When did you know you should be a performer?

I knew I was meant to be a performer when I was a child and I begged my parents to take me to auditions to Corpus Christi to audition for the Selena movie. Then I threw a dramatic fit because they told me no and I was extremely frustrated because I was convinced I would get the part. I was about 9.

Q: What is the secret to The Lollies’ success?

There is no one like us. We truly are a unique group that brings something unheard of in the burlesque world.

Q: What do audiences love most about you?

Ha! The fact that I look like a 12 yr. old, my blasphemy, and according to the Lollies–my booty! 

Q: Who should be cast as you in the movie about your life?

Mila Kunis

Scarlette Switches

SCARLETTE SWITCHES is no stranger to burlesque and the art of the tease. She has been performing in risqué groups and as a solo artist for over 10 years. As a singer, model and burlesque artist, her style often combines influences of cabaret, vintage fetish and Hollywood glamour. She performed alongside Jamie Deadly, Angela Ryan, and Athena Fatale in “Burlesque on the Fringe.” She also performed as a guest artist with “Fluff Girl Burlesque.”  She joined the Lollie Bombs Burlesque in early 2009.

Q: What is the secret to The Lollies’ success?

Diversity and courage.

Q: What do audiences love most about you?

Audiences love me for my TNA and naughty songs.

Q: What is your pre-show ritual?

I have a ritual of taking about 3 hours to either have hair and make-up done for me or DIY.

Q: What is your favorite physical feature on yourself?

My eyes.

Trixi Toxic
While according to her MySpace profile, she loves Autumn, Resident Evil, Zombies, Barbies, and Vampires–she apparently does not like email or interviews.

Upcoming Shows:
The Lollie Bombs next performance is The Valentine’s Show on February 12 & 13 at The Pocket Sandwich Theater. Call 214.821.1860 for reservations.

Three Lollies: Miss Malicious, Black Mariah, and Scarlette Switches will be performing in the Amour Show- A Lust Filled Burlesque Comedy- on February 27th at the Lakewood Theater. Call 214.821.7469 for tickets.

Pin Curl Magazine Proudly Presents, The Amour Show: A Burlesque Comedy

Dallas has been introduced to classic burlesque before, not nothing like this. This entire show from start to finish will focus on the comical aspect of classic burlesque, leaving audience laughing hysterically while thoroughly dazzled, teased, and titillated.

If you’ve never seen a live burlesque performance before, this would be a fabulous introduction and if you are a veteran, we promise you an amazing experience, unlike any show you’ve seen before.

Emcee for the evening: Justin Foster, a popular Dallas comedian as seen on Last Comic Standing. With a special comedic appearance from Richard Hunter, of the Richard Hunter Show.

Featured Performers:
Perle Noire, Queen of Burlesque, a New Orleans Legend
Lola Van Ella, The Derriere Beyond Compare, A hilarious performer hailing from St. Louis

With Performances by Local Favorites:
Miss Malicious, Hot Rods and Heels Performer of the Year
Ginger Valentine
Black Mariah
Rose Darling
Scarlet Switches
& Coco Lectric, Best in Show at Texas Burlesque Festival

Saturday, February 27th, Doors at 8pm

Lakewood Theater, 1825 Abrams Rd., Dallas, 75214

Advance tickets recommended. Get tickets by calling the Lakewood Theater at 214.821.7469 to avoid service fees, or visit TicketMaster.com

$30 VIP (Front and center seating)

$20 Everywhere else

18 and up only, please

Cash Valet Parking Available

Special Thanks to our Sponsors

InTownMix.com

DallasPinUp.com

BigBadSportsDaddy.com

Melrose Hotel

Out of Town Guests:

We are pleased to announce our partnership with The Melrose Hotel! To make reservations under our special group rate, please call 214.521.5151 and mention “Pin Curl Magazine”. The Melrose is one of the most beautiful hotels in Dallas, in the best neighborhood, with the kindest staff and only 5 miles from the theater- aren’t we lucky?!

Dallas’ own Melissa Meaow, model, chats about Dallas Burlesque Fest, glamazons, making her much anticipated burlesque debut, and being drunk off decadence.

Interview & Photographs: Shoshana of Through the Looking Glass Studio. MUA/H: LaDonna Hearne Accessories (hats, cuffs, and fascinators): Tara Tonini.

Q: Your portfolio is very diverse, how do you label yourself in the modeling world?  [Do you consider yourself a pin-up model, fetish model, fashion model?]

I am extremely versatile — a chameleon. Therefore, I cannot and do not limit myself to labels — everyone has a right to their own opinion of me and I most definitely think my work speaks for itself. I adore the avant-garde and pin-up is always so much fun to do!
 
Q: When and how did you begin modeling?

I have always loved modeling. As a young girl, I was reading Vogue, Elle, Bazaar. I immediately became obsessed with beauty and fashion. In high school, I started collecting magazines from overseas — a very expensive habit! Now everything is so accessible online, but nothing beats a glossy photo on the page of a fashion magazine. I guess this was my beginning — I was far too shy as a little girl to peruse modeling, so my mother put me in ballet.

In high school, my height (I’m 5′6″) kept me from getting any professional work. My big break was in 2004 — I assisted on photo shoots while working for Toni & Guy and a lot of times stood in for the model while the photographer tested lights, etc. I was dubbed “a natural” and “better than the girl we booked”. It turns out you don’t have to be a glamazon for print work! Also, social media sites like Model Mayhem have really helped me network and grow.
 
Q: What are your favorite shoots?  [Are they based on the fashion, the photographer, the concept?  Do you like a certain style more than others?]

Elaborate hair/makeup/wardrobe/set design shoots are always my favorite. I love a concept that brings multiple people together with so much creative juice flowing that everyone is drunk off the decadence — and then it’s all up to you, the model. I love the whole process!
 
Q:  How much collaboration do you do with the photographer from start to finish on a concept?

It all depends on who approaches whom. If a photographer emails me, I know they’ve looked through my portfolio and found I fit a concept they desire. This is not always the case vice versa! If I instigate, then I better have a concept they can use or an idea we can both agree on.
 
Q: You have a really long list of live modeling credits.  How does this compare with print modeling assignments?

I most definitely have more live modeling credits than print! A lot of print work goes through agencies and since I manage myself, the assignments fall off my radar. I hope to do more pin-up print work in the future. It’s always been a personal goal of mine to do a fashion spread as well.
 
Q: Speaking of live modeling, the first time I ever saw you was the inaugural Dallas Burlesque Fest.  Take us back to that event- Feb of last year.   What did you anticipate before the event, and how did that compare to the actual event?

Elisa throws awesome events and I was honored she asked for my help! Wrangling the models was fun — getting 10 models and 10 photographers on the same page at the same time, etc was crazy. I think i was the last one in hair/makeup and on stage because I was so busy — but wasn’t it grand? I did not expect a full house with a line around the building — the energy was absolutely incredible that night!
 
Q:  You are coordinating the pin-up model photo shoot aspect of Dallas Burlesque Fest once again this year.  What are your plans for this portion of the event?  What should the audience of potential shooters expect?

Yes — I’m doing it again this year! Already we’ve had some models and photographers contact us to participate. There will be a pin-up shoot, but we may do three different sets on stage instead of just one. There’s also talk of a lingerie fashion show. I don’t want to give too much away — just be sure to get there early so you don’t miss it!

 
Q: Okay, so a gal has determined that she’s very pretty.  But, being a great model requires so much more.  What else should this gal posses to be successful?

Being comfortable in your own skin is key. Self confidence goes a long way — but always be gracious — no matter how bad you think your makeup/hair/photographer are. Everyone knows everyone in this community and word of mouth means more than any photoshopped image in your portfolio. Grace, integrity and punctuality are how I’ve gotten this far.
 
Q: Let’s talk burlesque for a second.  You made your burlesque debut last month at Christmas in Candy Land at The Church.  How was that for you?

It was an unforgettable evening! Elisa was a wonderful choreographer and coach – I felt totally comfortable with the routine. A lot of my friends showed up to support me and the other performers were excited about my debut as well. Of course, I was super nervous, but once I stepped on stage, my nerves disappeared and I had so much fun! Needless to say, I cannot wait to to perform at the Crystal Palace show later this month – I am doing more of a traditional burlesque number you must not miss!

Q: Do you have formal dance training?

Yes! I have 20 years of ballet, tap and jazz under my belt – ballet being my most favorite. I’d love to pursue more ballroom, latin and swing in the future.

Q: You are a founding member of the 60’s go-go dancing troupe, The Lollie Dollies. Tell us about its inception and where to find your performances.? 

The Lollie Dollies are a 60’s throw-back go-go troupe of 5 lovely ladies that was founded in 2005. We throw dance parties under the name, The Lollipop Shoppe showcasing local bands/djs. We perform every other month, so keep your eyes peeled for flyers! You can also keep up with us at: myspace.com/lollipopdolls and facebook.com/pages/lolli-dollies.

Q: What are your New Year Resolutions for 2010?

More modeling, of course! My goal was 52 shoots last year (I accomplished 46) and I just had my solo burlesque debut at The Church’s Christmas in Candy Land Party! So more dancing too — I’ll be performing at the Crystal Palace Burlesque show as well as the Dallas Burlesque Festival. And I’d love to travel to Austin, Los Angeles and New York to shoot/perform. Finally, I want to get my website up and running — it has been almost five years in the making!

Notorious Model and Performer Angela Ryan graces the very first Best Of Pin Curl print edition, and sits down with editor Shoshana to discuss fashion, kindergarten, modeling mistakes, and a world without MySpace. Angela Ryan will be signing copies of our inaugural print issue at our Issue Release Party at Gifts and Garters on Dec 5th.

Interview & Photographs: Shoshana of Through the Looking Glass Studio

Q: What’s on your Christmas list this year?

Designer shoes and lingerie will always make me squeal with delight, but on the practical side I would love a new laptop and some new photo editing programs though.

Q: You began modeling before MySpace. How did you get you start?

I started back in 2001 working with a photographer friend and when I got enough photos I started a Yahoo Group. My fan base there grew and I started planning trips to other cities to shoot with well known photographers when I could. I was a cocktail waitress and worked retail and was miserable so I decided that I needed a change. I quit my jobs and started modeling full time in 2004. Luckily, it was the right decision! I love my job now!

Q: How have MySpace/FaceBook/Twitter changed the industry?

I credit MySpace with the real launch of my career. I signed up in 2003 and I don’t know where I would be without it! Social networking sites have changed the way you can promote yourself and make you accessible to millions of people. It’s much easier to make a name for yourself these days. On the down side, since anyone can make a profile claiming to be a “model” it saturates the industry with people who might not take it as a seriously as someone who solely models for a living. You still have to be creative in the way you market yourself to make sure you stand out. Since new sites pop up all the time you really have to be on top of the networking trends.

Q: You refer to yourself as a fetish and pin-up model. There seems there is a lot of crossover between the two in the industry. Are fetish and pin-up completely separate beasts, or do they go hand in hand?

I think for the most part they are separate but they definitely have some common interests. Traditional wardrobe pieces like fully fashioned stockings, garter belts, girdles, and high heels are staples in both
worlds. Many of the top fetish designers now recreate retro looks in latex that many pinup models wear. Bettie Page paved the way to make being both pinup AND fetish more acceptable. I have a love for both and I’m glad I don’t have to choose one above the other!

Q: Who are your favorite fashion designers right now?

For high fashion it’s Alexander McQueen, latex by House of Bias, corsets by Jupiter Moon, and lingerie by Agent Provocateur.

Q: You recently got into the design business yourself, with the Angela Ryan Signature Necklace by Heart Sized Crush. How did this come about. Tell us a little of the design process?

Heart Sized Crush made an adorable necklace for my good friend Devil Doll to sell on her tour. I fell in love with it and she suggested I contact them about making one for me. Since this was my first time designing anything it took a few drafts to come up with the perfect necklace but they were super easy to work with and very patient with me!

Q: In addition to the ton of modeling work, you are also an accomplished performer. How would you categorize your shows?

Burlesque with a fetish twist! I try to blend traditional with modern and always keep it sassy and unexpected! My choreographer Eric Hall works diligently with me on challenging myself technically and creatively and pushing boundaries!

Q: What are the top three mistakes young models and burlesque performers make?

Being unprofessional, caring too much what other people think, and working for less than they are worth. You have to use your mistakes as learning experiences.

Q: What did you want to be when you were in kindergarten?

Madonna. Seriously. That’s who I was every year for Halloween as a kid. I wanted to be a rock star. I still pretend I am sometimes. lol.

For more of the Angela Ryan Interview with tons of unseen photos, grab the Best of Pin Curl 2009 edition. You can purchase in our shop or even better-get an autographed copy at the Issue Release Party on Dec 5th!